Today, he’s in Vancouver, where it is much too early to frolic for any era. Or, as the New York Observer put it, a “frolicky pansexual sex symbol for the new millennium”. Within a few years, he’d played Hamlet on stage, a Bond villain in GoldenEye, and Mr Elton in Ang Lee’s Emma, before becoming the toast of Broadway in 1998 for his Tony-winning performance as the Emcee in Sam Mendes’s and Rob Marshall’s revival of Cabaret.
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He laughs, but American politics is one thing that can make this most cheerful of Scots – as much a professional wag as he is a prolific and award-winning stage and screen actor – quickly lose his sense of humour.Ĭumming, 57, was already well known for his impressive tonal shifts when he arrived in the US in the Nineties. And that falls under the category of ‘You can’t talk about any LGBTQ thing.’ It’s kind of thrilling – I’d be signing them going ‘Quick, put these in a paper bag!’” They’re about a same-sex couple, two dogs who have two dads. “It’s hilarious,” he says, “I wrote these children’s books and my husband, Grant, illustrated them. “It’s just a hot mess,” Cumming sighs, citing one personal example of his adoptive homeland’s wild inconsistencies: Florida “loves” him – he’s filmed, performed his one-man shows and appeared to packed crowds at book festivals there recently – and yet he’s technically a banned author in schools in the state.
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But in 2022, he’s just about given up trying to understand the place. It’s been almost 30 years since Alan Cumming first visited America 25 since he fell in love with the place and settled there 20 since he bought a property 15 since he became a citizen and five since he opened a cabaret bar, Club Cumming, in the heart of New York. The award-winning actor shares his views on Trump, Obama, Scottish independence, homophobia, mental health and surviving child abuse Alan Cumming: ‘America feels like it’s always teetering on the edge of awfulness’