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Nevertheless, religion is at the heart of the study, as shown in chapter 2, because of the primary importance of Genesis 3 and its reception, which involved a misogynistic reading of Eve and associated women with ideas of supernatural evil. Thus, the book is not about satanism as a religious practice but as a “discursive strategy” (2). Theistic and ritualizing satanism, on the other hand, is termed here sensu stricto (in the strict sense). Rather, as Faxneld explains, they were satanists sensu lato (in the broad sense) they used Satan as a symbol to critique Christianity, its accompanying conservative social mores, and patriarchy. The study covers the period from the late 18th century up to the years before World War II and focuses mainly on Western European and North American evidence.Īlthough they attributed positive qualities to the figure of Satan, the subjects examined in this book were not satanists as commonly imagined that is, they were not believers in a supernatural being called Satan and did not perform rituals dedicated to him. The book demonstrates ways in which subordinated groups-in this case women-reinterpret negative stereotypes that have traditionally been used to denigrate and oppress them, transforming these into positive and empowering icons. The author aims to “map, contextualize and discuss the discourse of Satanic feminism” (3), principally through the study of literature along with visual art and cinema.
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An erudite blend of science and personal narrative, Sleep Demons offers a poignant introduction to the topics for which Hayes has since become famous, including art, eros, city life, the history of medical science, and queer identity.Per Faxneld’s Satanic Feminism examines the association of women with Satan and the reinterpretation of this originally negative trope as a positive symbol of feminist empowerment. The science and mythology of sleep and sleeplessness form the backbone to Hayes’s narrative of his personal battles with sleep and how they colored his waking life, as he threads stories of fugitive sleep through memories of growing up in the closet, coming out to his Irish Catholic family, watching his friends fall ill during the early years of the AIDS crisis in San Francisco, and finding a lover. ”Īn acclaimed journalist and memoirist-and partner of the late neurologist Oliver Sacks-Hayes has been plagued by insomnia his entire life.
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Delving into the mysteries of his own sleep patterns, Bill Hayes marvels, “I have come to see that sleep itself tells a story.
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Yet sleep is full of untold mysteries-eluding us when we seek it too fervently, throwing us into surreal dream worlds when we don’t, sometimes even possessing our bodies so that they walk and talk without our conscious volition. We often think of sleep as mere stasis, a pause button we press at the end of each day.